13 de abril de 2004

Robert Capa


Copyright : Magnum Photos


American, b. (Budapest) 1913 - d. (Indochina) 1954


On December 3, 1938, Picture Post introduced "The Greatest War Photographer in the World: Robert Capa" with a spread of 26 photographs taken during the Spanish Civil War at the battle of Ebro.

The "greatest war photographer" hated war. He was born Andre Friedman, a Jew from Budapest, and studied political science at the Deutsche Hochschule für Politik in Berlin (1931-33). At the same time he was working part-time in the lab of the Ullstein magazines group to whom he sold his first published picture of Leon Trotsky's 1931 Copenhagen meeting. Driven out of the country by the beginnings of the Nazi regime, he settled in Paris in 1933.

In Paris he participated in the beginnings of the agency Alliance Photo and met the journalist and photographer, Gerda Taro. Together they invented the "famous" American photographer Robert Capa and sold his prints under that name. He met many artists, among them Picasso and Hemingway, and began friendships with colleagues that would be essential in the creation of Magnum, such as David "Chim" Seymour and Henri Cartier-Bresson.

Beginning in 1936, Capa's coverage of the Spanish Civil War appeared regularly in Vu, Regards, Ce Soir, Weekly Illustrated and Life. His 1936 picture of the Loyalist soldier falling to his death brought him international reputation and became a powerful symbol of war. In Spain Capa also shot newsreels for March of Time, Time-Life's film department.

After his companion Gerda Taro was killed in Spain Capa traveled to China (1938), then emigrated to New York in 1939. From 1939-45 he photographed World War II (most famously the landing of American troops in Omaha beach, the Liberation of Paris and the battle of the Bulge) as a Life and Collier's correspondent in Europe.

In 1947 he founded Magnum Photos, in conjunction with Henri Cartier-Bresson, David Seymour, George Rodger and William Vandivert. The next year Capa traveled to Russia with John Steinbeck, and from 1948-1950 to Israel with Irwin Shaw, completing the first of a number of stories for Holiday. In 1951 he became president of Magnum and initiated several group projects involving all his colleagues.

Robert Capa died on May 25, 1954, in Thai-Binh, Indochina, after stepping on a land mine while photographing for Life. He was awarded the War Cross with Palm by the French army. The Robert Capa Gold Medal Award was established in 1955 to reward exceptional professional merit.


foto - Robert Capa (1936)

Cerro Muriano (Cordoba front). September 5, 1936. Republican militiaman (Federico Borrell Garcia) at the moment of death. ("The Falling Soldier") ICP 154
The Spanish Civil War broke out in 1936, when part of the Spanish army rebelled against the Second Republic, a democratic government elected in 1931. It gained international dimensions when Fascist Germany and Italy began supporting the military uprising, led by General Franco, with weapons and soldiers. The USSR helped the Republic, and a significant contingent of volunteers joined the International Brigades and fought for the Republic. The conflict became the symbol of a larger conflict between Fascists and Communists. The war ended in 1939 with Franco's victory over the Republicans.

Mais informação em MagnumPhotos.com

6 de abril de 2004

Actualidade


foto AFP

Female followers of Shiite radical cleric Moqtada al-Sadr parade in Baghdad's Shiite neighborhood of Sadr city.

Vencedores do Prémio Pulitzer 2004

BREAKING NEWS PHOTOGRAPHY


Awarded to David Leeson and Cheryl Diaz Meyer of The Dallas Morning News for their eloquent photographs depicting both the violence and poignancy of the war with Iraq.


foto: David Leeson - The Dallas Morning News

Caught in crossfire from the 3rd Intantry Division fighting through Northern Baghdad, a woman huddles in an open ditch with two terrified and bloodstained children.




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foto: Cheryl Diaz Meyer - The Dallas Morning News

After three weeks and 300-plus miles of speed-and-maneuver warfare, Master Gunnery Sgt. Frank Cordero savors the first letters from his wife, Melissa. "I held that first one for about five minutes...Just to smell it and hold it."





FEATURE PHOTOGRAPHY


Awarded to Carolyn Cole of the Los Angeles Times for her cohesive, behind-the-scenes look at the effects of civil war in Liberia, with special attention to innocent citizens caught in the conflict.


foto: Carolyn Cole - Los Angeles Times

WAR UNDERFOOT: Bullet casings carpet a street in Monrovia, at the heart of the battlefield between government and rebel soldiers. Businesses closed for weeks as the battle raged.



Mais informações em Pulizer.org

26 de março de 2004

Imagens do passado

"View of Plain from Interior of Sally Port"


George Kendall Warren (1834-1884)




This image must rank with G.K. Warren's very best landscape work, even though its central subject is nothing more than a large grassy field. The dramatic framing arch acts like the proscenium of a theater, focusing attention on the Plain. The effect is heightened by the soft glow of light entering the Sally Port and causing the subtle textures of the wall to emerge gradually from the shadows.



Acerca do Autor da imagem


G. K. Warren operated studios in Boston and Cambridge, Massachusetts and was America's leading photographer of college yearbooks during the 1860s and early 1870s. Warren's class albums were illustrated with actual photographic prints of students, faculty members and campus. In addition to producing albums for the U. S. Military Academy at West Point (for which this photograph was taken) Warren was the official photographer for at least 15 universities, including Harvard, Yale and Princeton.



Acerca do Assunto


A Sally Port is a fortified gateway or a portal in a fort that allows the passage of a large number of troops. The Plain is a large grassy area, once the site of battle training at West Point. Today, it is used as a place for the cadets' daily formation and as the Academy's central parade ground.

Imagens do passado


1945: Alfred Eisenstaedt - LIFE

Photographers across America captured victory kisses on August 14, 1945, the day World War II came to an end. So why did one embrace become a universal symbol of jubilation - and perhaps the most reprinted image in LIFE's history? Having spied a sailor smooching his way through Times Square, Alfred Eisenstaedt followed until he found the perfect composition - a confluence of lines and curves that draws the eye into a vortex of pure joy.

25 de março de 2004

A imagem, como nos afecta...

Temos aqui dois exemplos de imagens com um poder de impacto impressionante,
vemos que em tempo de guerra a condição humana se reduz a nada...


Nesta imagem temos um prisioneiro de guerra a confortar o seu filho. O que me choca
é o facto de ele estar com a cabeça tapada, só, arame farpado em primeiro plano,
o pormenor das sapatilhas do miudo.
O que é que eles estão a dizer um ao outro?


winner.jpeg
foto Jean-Marc Bouju - AP



Esta imagem foi tirada no Haiti, o homem é acusado de ter morto várias pessoas para
o presidente Aristid, foi capturado por populares armados e mais tarde apedrejado e
mais tarde queimado vivo.
Sem contar com o desfecho da história, esta imagem é horrível, já Pacheco Pereira a
tinha mostrado no seu comentário semanal no "Jornal da Noite" da SIC, dizendo que
tem uma brutalidade impressionante. Para mim a imagem mostra o desprezo que o
dominador tem sobre o prisioneiro, basta ver o pormenor da bota na cara associado
ao facto de ele estar a comer.



foto Daniel Aguilar


p.s. - a primeira imagem ganhou o primeiro prémio do World Press Photo

O objecto

A câmara chega-nos às mãos, a nossa reacção? talvez igual a esta...



Jack Nicholson e Dennis Hopper com a Olympus E1

fotografia

fotografia

do Gr. phôs, photós, luz + graph, r. de graphein, desenhar


s. f.,
arte de fixar numa chapa sensível, por meio da luz, a imagem dos objectos;

fig.,
cópia fiel;

retrato.