Richard Avedon, the revolutionary photographer who redefined fashion photography as an art form while achieving critical acclaim through his stark black-and-white portraits of the powerful and celebrated, died Friday. He was 81.
Avedon suffered a brain hemorrhage last month while on assignment in San Antonio, Texas, for The New Yorker, taking pictures for a piece called "On Democracy." He spent months on the project, shooting politicians, delegates and citizens from around the country.
He died at Methodist Hospital, said Perri Dorset, a spokeswoman for the magazine.
Avedon's influence on photography was immense, and his sensuous fashion work helped create the era of supermodels like Naomi Campbell and Cindy Crawford. But Avedon went in another direction with his portrait work, shooting unsparing and often unflattering shots of subjects from Marilyn Monroe to Michael Moore.
"The results can be pitiless," Time magazine critic Richard Lacayo once noted of the black-and-white portraits. "With every wrinkle and sag set out in high relief, even the mightiest plutocrat seems just one more dwindling mortal."
As a Publishers Weekly review once noted, Avedon helped create the cachet of celebrity -- if he took someone's picture, they must be famous. His fun-loving, fantasy-inspiring approach helped turn the fashion industry into a multibillion-dollar business.
AP
Michael More, The New Yorker
Charlize Theron and Patty Jenkins, Actress, and Director of Monster, The New Yorker
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